modern art

According To Plan

When everything is going right and the stars are in alignment, my work looks something like this.

Building a history that start with a layer of modeling paste, colors and textures, usually ending with a thick layer that is left to partially dry, cut into with a razor blade or the sharp edge of a palette knife. This reveals the layers of color, color that creates a contrast,  a push and pull of energy. Although it may seem so, nothing is really planned. The colors are chosen according to my mood and the lines, pencil marks and gestural color a moment by moment act, carried out more in regards to emotion, sound and smell. Each color has a different smell, and those smells can change or become more intense depending on my ability to focus on the moment. To me it is like a vast microbiome of sensual influences. Having an synesthetic ability that runs through my visual art as well as my work in a scent lab, It is a peculiar set of circumstances that inform me in my work. I embrace it, mostly. Sometimes it drives me crazy, because the overlap and overload can be too distracting. This is why when things do turn out somewhat according to plan, I do my little happy dance and continue on, knowing that it is never, and never will be easy.

Little Pistol

When I am painting in my small home studio, located in my sun room I am often surrounded by cats. One of the more ubiquitous of the clan is the Little Pistol. She lives in my office chair and never wants to move to let me sit down. She is a Calico and has very much an attitude of defiance. When I was finishing this painting she was there giving me her "I own You" look.

This is how it happens. Painting with the direction of the wind. This way and that, no mind to anything that is planned.

Working smaller makes it easier to get through a painting in a reasonable amount of time. Larger pieces are difficult because they require, either sustaining a mood or feeling, or letting it go and allowing the work to change over and over until something is achieved. Not necessarily an aesthetic but rather a sense of completion that does not have me wanting to add more paint.

10-25

I am not sure why people get all worked up at the start of a new year. Vow to do some otherwise impossible things and never follow through.  I too have taken the plunge and am in the process of successfully completing my task.

Near the end of the year I had started work on some new paintings that did not involve modeling paste, heavy layers of texture and razor blades. Instead I have reintroduced brush work to my process along with a return to mixed media acrylics, ink, pencil, dry pastels and paint markers.

I had been right in the middle of a very large canvas, and decided somewhere near the end of it's completion that I did not care for it at all. I painted over it several times and eventually set it aside. I did the same thing to a couple of other in progress pieces. To say that I was frustrated would be an understatement. I was furious with myself. I was moving into a new thing and nothing was working, so I did the only logical thing an artist can do. I started fresh. I committed myself to painting ten small 25x25 studies. A primer to get me going with the new work. I am five paintings in now and starting to feel my direction more clearly.

Moving away from a bolder look with black outlines to a more organic look similar to my most recent works on paper. It's like I am finally starting to get on the same page with all my work and the work I see in my head. It would seem that after painting for half a century I would have figured some things out by now. Apparently not. Everything comes at a snails pace, one step at a time. Some things flow and are easy, others are extreme in their difficulty and still others are not worth the fight. I guess if anything is learned over time it is to know when to toss things on the junk heap and let them go.

A Thousand Points of Light: 5-10 Acrylic, ink, paint marker, pencil on hand stretched linen. 25x25

Number five in my study series seems to have me at my eureka moment. It pleases me and it makes sense; artistically and emotionally.  I will finish the series of course, before starting on anything large. If the next five pan out I will surely be onto something.