Liz Zorn Abstract Art

That Was June

Bulldogs Beach: 30x30 acrylic on canvas

June came and went in a flash, but not before I sold three paintings from my Saatchi Art Portfolio.  Three nice sized pieces too. It leaves my studio walls a bit bare, but I will fill in the spots.. I have not been painting as much lately and really need to spend some serious time in the studio. Lots of things in progress, doodles and the like, but nothing serious or ready to go. Besides the doodling, working on new things like this. Aside from the fun little landscapes that break the flow of the larger more intense pieces, I really like this gray on gray  of Bulldogs Beach, and have one on the easel at home. I will probably go more in this direction once I am back in the studio downtown. I had been playing around with the gray with blues and greens as in the Queen City painting. As well as gray and purple, violet and other colors in that range.

Queen City: 24x24 acrylic on canvas

I missed the Final Friday at the studio this month, so next month I should have a lot of new things on the wall. Getting back to painting full time is the goal. It may take a little longer than I had anticipated as my other work is also demanding. I set myself a two year time goal and I am about six months in on that. It would be nice to come back here at the end of that time frame and say, yes I did it.


Snow Days

Made it down to the studio on Saturday to pick up some supplies and water my orchids. After being teased with potential blizzards over the past weeks we finally got our boat load of the stuff and as a result I opted for setting up a makeshift studio in the sunroom (at home). There isn't a lot I can do in this space so I have opted to do some works on paper. Moving from palette knives and masonry trowels to essentially finger painting is a bit of a curve, and I am always surprised at what comes out of me when I switch from textured canvas to paper. But with this work I must be channeling my palette switch from last summer when I went from the bright colors and lots of blue to this limited earthy palette.

I don't really have a plan other than just painting, and this is fine with me. In the past I did a lot of paper studies that I would transfer (style wise) to canvas. Not sure where this will go or if I will even continue it once I am back in the studio on a regular basis.

New: acrylic on gesso textured paper. 12.5x19.5

New: acrylic on gesso textured paper. 12.5x19.5

New: acrylic on gesso textured paper. 12.5x19.5

New: acrylic on gesso textured paper. 12.5x19.5

Occasionally I will sneak a landscape in there (hehe..)  but for the most part I am still where I left off with the acrylics on canvas last year. Even the new in progress works in oil and cold wax I have going at the studio are in this limited earthy palette. Funny how consistent color can make a mish mash of half baked ideas look like a cohesive body of work...

Untitled: 2014 acrylic on canvas 12x12

Untitled: 2014 acrylic on canvas 12x12

 

 

 

Looking Ahead

This is already shaping up to be a key year in my quest to return to full time painting. Yesterday I was at the studio bright and early to show my work for a possibly show in the summer. The meeting went well but it is a committee decision so I will have to wait a few weeks to find out if I am going to be included.

I have also been contacted by three different groups looking for large corporate pieces. I wish I had some of the new oil paintings finished to show them. Luckily two of the projects are just in the looking phase and I have time to get some big pieces finished before they come around again to actually select art for the spaces. One space isn't even built yet and this is always a strange situation to be in. I have never created a piece that fits architecturally into a specific space. Would love to do this someday. A project usually reserved for sculptors and stone workers.

IN THE STUDIO - I had been working with pre stretched canvas and now will be doing my own once again as I need some odd sizes not available in pre stretched.  Also need the more sturdy backing to handle the weight of the texture that I apply to my canvases. The larger they are the heavier they are. No brainer, but this really makes a difference when things start getting big.

I have switched up my medium to include oil and cold wax and have been painting with this for the past few weeks. I have finished one piece and have several more in progress. It is nice to finish with the oils as I can take more time to work on each piece.

This painting is the mixed media: begins with an acrylic textured surface and under painting and finished with oil and cold wax. Very similar to the style I have been working in for the past year with the layering and taking off of paint. With the oils I get more bang for my buck and really love how the colors pop. This piece: Sequester: is 36x36 on stretched gallery warp canvas. I can use the canvas (instead of board) for the oil and wax because of the rigid textured surface. I have been building surface on canvas like this for many years and it is very durable.

This painting is the mixed media: begins with an acrylic textured surface and under painting and finished with oil and cold wax. Very similar to the style I have been working in for the past year with the layering and taking off of paint. With the oils I get more bang for my buck and really love how the colors pop. This piece: Sequester: is 36x36 on stretched gallery warp canvas. I can use the canvas (instead of board) for the oil and wax because of the rigid textured surface. I have been building surface on canvas like this for many years and it is very durable.

My space is starting to shrink (it feels smaller) as I have so many things in progress. Looking for a larger studio now. Will also be spending some time this summer getting my home studio back in working order. This is where I do my big constructed pieces. A lot of power sanding involved so ventilation is an important factor. Not able to do this in the rented space in the city. Each has it's own perks though.

PORTFOLIO - I have not done a good job of keeping up with my portfolio. Online or otherwise. This will become a priority for me as things progress. Starting with my next trips to the studio. I have decided not to have a purchase page here on this website, at least not anytime soon. Instead if you follow the links you will be led to two online websites where you may purchase my work. Saatchi art and Zatista. Both are reputable companies and have been very professional with sales and representation.

OPENINGS - I have been out of the studio for the past two Final Friday events at the art center but hope to get back into the swing of things for the February opening on the 27th.  This is really (aside from private appointments) the only time I open my studio. Will post more on openings as the dates get closer.

New Work Fall 2014

IN the studio today to clean up and get ready for the art walk on Friday. Hopefully I will be able to attend this month. I have every intention, so that is a start.

I have been lax in my ability to get things accomplished lately. but did manage to get these pieces photographed today. As you can see the palette has shifted from the cheerful sea blues and powder skies to a darker more industrial palette. I like it and it seems to suit me and where I am at the moment.

I am also enjoying the idea of expanding details to cover larger areas of the canvas.  Aside from the palette and the lack of an intentional horizon line in much of the work, the technique, texture and layering is exactly the same. I am much more comfortable with my new way of working than when I started this two years ago.

I should have a nice body of work ready to show within the next few months, and I will start adding more things to my online portfolios. I will also post the full end of year schedule here by the end of the week.

Untitled II: acrylic on canvas (small) 10x10"

Untitled: acrylic on canvas (small) 10x10"

Web of Desire: acrylic on canvas 36x36


Intended: acrylic on canvas 12x30