Lizzies Blog

Mapping the visual world through a nebulous lens. Varying degrees of tangibility and culpability.
 

Winters Work

We are in the second week of September and the temps are still in the 90's here in the little river valley. I had hoped to be back in my downtown studio this week and had already moved a lot of things down there, but the weather has me still in my sun room studio at home. As I am nearing some deadlines I had to go ahead and start work on my oil pieces. Oils are such an adjustment from working with acrylics (and vice versa) that I am still wrapping my head around the drying time. I am taking paintings out to my old studio building to dry. I still need to get things moved around so that I can get back into my old building.Never quite got things back to normal after the rain damage and roof repairs. Hopefully next spring we can do that. I will still keep the space in the city because it has such great light and the energy of that old warehouse is not replaceable. I have looked at other spaces in other arts complexes and nothing has appealed to me.

My work will be featured as Artist of The Month at the art center at the end of the month. For as many years as I have had space in the building this is the first time I put my name in for an artist of the month spot. This is also the month of the buildings 25th Anniversary Silent Auction. Lots going on.

 

Affinity I: oil, cold wax, graphite on textured canvas 12x12x3

But back to the oils, I am really excited to be back to this work. I got distracted last year working on the oils and a couple of other opportunities had me staying with acrylics. Now my path has been cleared to work on these most of the time. I first learned to paint with oils and they are really my first love when it comes to materials. I get anxious working with them after being with acrylics for an extended period, but am starting to find my groove. I also wanted to take some of what I had been doing with acrylics and carry that thru into the oils. In particular with the color field paintings and minimal works. Working with oil and cold wax, I build some under layers with acrylic and clear gesso, so getting the best of both worlds.